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Think of it as a SPRING CLEANING Subtraction Project!

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I’m Cass McCrory, author and creator of Subtraction Project.

Why is it so hard to let go of things that aren’t serving our life? We attach so many feelings to what we have and we put so much meaning on the stuff we surround ourselves with. Subtraction Project helps you remove the excess with different tactics so we find a strategy that helps you subtract what isn’t working.

Subtraction Project helps you remove the excess with different tactics so we find a strategy that helps you subtract what isn’t working.

Of course, it’s not just about the STUFF, it’s about the noise, the negative self-talk, the habits and sometimes (I’m cringing a little because this one is so tough) the people. It’s not about subtracting all of this from your life necessarily, it’s about removing its influence when it isn’t good for you.

It’s not about subtracting all of this from your life necessarily, it’s about removing its influence when it isn’t good for you.

It’s when you’ve removed the excess that you’re left with a life that is a reflection of how you want to LIVE. As Michelangelo said: “ Every block of stone has a statue inside it and it is the task of the sculptor to discover it.” We’re the artists of our life, you have to chip away at what doesn’t work to uncover the beauty of what does.

We’re the artists of our life, you have to chip away at what doesn’t work to uncover the beauty of what does.

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There’s a thread in this book that really spoke to me. As the title suggests Erin is on a path of Chasing Slow, living with intentions and seeking flow ( nike air jordan 1 retro low black varsity red 6
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(Page 247)

(Page 236)

Architectural enthusiasts lauded Goodhue's irreverent and uncommon style of the exposition. C. Matlack Price wrote an article in Architectural Record explaining why Goodhue's design was so praiseworthy. He wrote that the exposition expressed "the history, resources, prosperity, industries, and products, as well as the golden-lined future promise of the Southwest." He also believed that design was both "historically and locally appropriate" even though the styles of the buildings looked like "a sort of architectural buffoonery, yet actually a style of strange and peculiar delight." (Page 234-239)

On page one of the January 1, 1915 San Diego Union , a reporter describes the ornate and intricate architecture of the California Quadrangle's buildings. The pictures below illustrate Goodhue's design style:

At the top stands the statue of Fra Junipero Serra to whose labors was due in great measure the real start of civilization on the coast of what is now the United States. At one side stands Cabrillo, the discoverer of 1542... At the other is Vicsaino, the explorer of 1602, beneath the bust of Philip II of Spain... and across the arch is Fray Jaumo, the first white martyr. It is a pictorial history of the American west coast.

The article continues to discuss the ambiance created by the architecture and use of a Spanish Myth:

The dimly lighted grounds through which first visitors passed on their way to the Isthmus never before seemed to cast the enchantment of last night. Dark-eyed Spanish girls in their striking gowns of Old Spain danced in the mellow gloom of patios which might have been hundreds of years old... From different parts of the grounds came the strains of bands playing Spanish airs, and now and then the voice of a senorita broke through in happy melody. The air was surcharged with romance, redolent with sweet breath from 640 acres of blooming fairyland and teeming with the atmosphere of a long time since passed and made possible only by blending the old with the new.

(January 1, 1915 pg 1)

The lily ponds in front of the Botanical Building. (Learncalifornia.org)

Opening day of the 1915 Exposition. nike air roshe run footlocker coupons

Feeding the pigeons in 1915. (San Diego Historical Society)

(San Diego Historical Society)

Balboa Park's midway in 1915. (San Diego Historical Society)

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